Category Archives: Photographic Printing

MORE OF MICHAEL KENNA AT THE BOSHAM GALLERY

September 2019

Driving past Chichester on Wednesday last week, I couldn’t help dropping in to see more of Michael Kenna’s prints at the superb Bosham Gallery.

In my previous post I talked about my delight at the ‘Michael Kenna – 45 Retrospective Exhibition’ that was showing through the summer. They had followed it up with another featuring his work called ‘New and Rare Works’ running from 2nd to 28th September…so just a few days left to see it as I write this.

I was able to chat with the owner Luke Whittaker, who had obviously set up a very good relationship with Michael to get more prints personally produced by him to show. There were indeed some ‘New’ ones but also some that had ‘sold out’ of the artists 45 print editions. For these Michael had released ‘Artist Proofs’ from his archives.

I was bold over by one of his images taken in Hokkaido back in 2002. A picture I had never seen before.

Tree portrait-study 1 Wokato Hokkaido 2002
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MICHAEL KENNA 45 YEAR RETOSPECTIVE AT THE BOSHAM GALLERY

AUGUST 2019

I’ve finally made it to the wonderful 45 year retrospective exhibition of Michael Kenna’s work at the lovely little gallery at Bosham, near Chichester.

Picture from Bosham Gallery website: www.boshamgallery.com

It was pleasing to see the care with which the owner Luke Whitaker and manager Angus Heywood had put into choosing and hanging the 42 prints from Michael’s years of image making since the 1970’s through to this year.

Michael has always been the most intelligent and thoughtful of photographers and you can’t help but notice how consistent his photographic style has been since his earliest days. Quite remarkable in fact to have distilled your ‘vision’ into something so long ago and not feel the need to change it, only to refine it.

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PIEZOGRAPHY…why I use a monochrome converted printer

A few years back after I had bought an Epson photo printer, a R2880 model, I started printing my monochrome images and found them rather disappointing. This Epson model had 8 inks, but it only used 3 for monochrome as far as I understood it. It had an ‘Advanced Black and White’ mode that I used but sometimes I was aware of a slight colour cast and I didn’t think the darkest tones were ‘black enough’.

However I was still learning how to adjust my images in Photoshop and I hadn’t got a calibrated monitor for my PC.

I looked around and discovered the system devised by American Jon Cone called Piezography.

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