Coronavirus is keeping us all indoors, or perhaps close to home if we live in the country. I decided that I should find something around the place to photograph and fell upon this really beautiful ‘Peace Lilly’ that was just opening in the dining room. I thought, as it was a stark white flower that I’d photograph it against a black background, and it would look wonderful in monochrome. However I still went and put the digital back, which is ‘colour’ of course, on the Hasselblad 500.
Having shot some on the Aptus, I also did do some on black and white Acros 100 film. The film is still to be developed, but I think I prefer this particular image in colour anyway, even though the green stalk is only bit of colour!
Driving past Chichester on Wednesday last week, I couldn’t help dropping in to see more of Michael Kenna’s prints at the superb Bosham Gallery.
In my previous post I talked about my delight at the ‘Michael Kenna – 45 Retrospective Exhibition’ that was showing through the summer. They had followed it up with another featuring his work called ‘New and Rare Works’ running from 2nd to 28th September…so just a few days left to see it as I write this.
I was able to chat with the owner Luke Whittaker, who had obviously set up a very good relationship with Michael to get more prints personally produced by him to show. There were indeed some ‘New’ ones but also some that had ‘sold out’ of the artists 45 print editions. For these Michael had released ‘Artist Proofs’ from his archives.
I was bold over by one of his images taken in Hokkaido back in 2002. A picture I had never seen before.
I’ve been shooting long exposures of the moon ‘rising and setting’ ever since I went back to using a film camera, a few years ago now. I was taken with an image by, once again, Michael Kenna, of the moon rising over the Chausey Islands off the French coast. I realised that over the years I had photographed the moon many times, but never as a really, really long exposure. The magic that happens during an excessively long exposure is quite wonderful and Kenna had started a whole ‘minimalism movement’ in monochrome photography with his ‘frozen water’ and also his many images by moonlight. Others had done long exposures before but Kenna did lots of it and made some outstanding pictures…as he still does.
My last post was about the recent Hasselblad product announcements and particularly about the slim little ‘body’, that Hasselblad is calling the 907X.
The Hasselblad press announcement stated that it would be able to take, in addition to the obvious XCD lenses from the X-1D camera, the H Series lenses and also the ancient V Series.
Here’s a look at what I think that means. Hasselblad, along with others like FotoDiox, Klipon and Cambo, have all been making Hasselblad lens adapters for sometime. But let’s start with the Hasselblad adapters currently for the X-1D camera.
Hasselblad just made a set of surprise announcements. They are going to be selling a Mark 2 version of their most beautiful looking digital camera to date, the X-1D. It has a better touch screen and I do hope it will fix some of the things they omitted when the original X-1D came out. I hope they’ve remembered that photographers need a proper ‘remote release’…you can’t rely on being tethered to remotely fire a camera. Also they must fix the small built in delay the camera suffers from. Pressing a shutter must be instant!
Although staying with the 50Meg pixel resolution, the X-1D also gets another new lens…fine, but the best news for ‘old dinosaurs’ like me who love their old V Series film cameras is that we haven’t been forgotten.